By Sherry Shahan
Sherry Shahan watches the world from behind; whether in the hub of Oxford, on a backstreet in Havana, or alone in a squat hotel room in Paris; whether with a 35 mm camera or an iPhone. Her art has appeared in the Los Angeles Times, San Francisco Chronicle, Perceptive Travel, Gargoyle, Harbor Review, Deep Overstock and forthcoming from Terror House Magazine. and Open Minds. She holds an MFA from Vermont College of Fine Arts.